Don’t Trust Anyone Over Thirty - MuseumsQuartier Wien
Teil eines Kunstprogramms, das Überschneidungen von dramatischen Genres (Oper, Puppentheater und Musical) mit zeitgenössischen Kunstformen thematisiert. Publikumsgespräch 4. Juni, im Anschluss an die erste
Don’t Trust Anyone Over Thirty - MuseumsQuartier Wien
Teil eines Kunstprogramms, das Überschneidungen von dramatischen Genres (Oper, Puppentheater und Musical) mit zeitgenössischen Kunstformen thematisiert. Publikumsgespräch 4. Juni, im Anschluss an die erste
Udo Proksch -- ein Abend über einen Abend von monochrom - ABGESAGT! - MuseumsQuartier Wien
Mo 17 Di 18 Mi 19 Do 20 Fr 21 Sa 22 So 23 Mo 24 Di 25 Mi 26 Do 27 Fr 28 Sa 29 So 30 Mo 31 Di Das Musical UDO77 von monochrom wird ab 18. Mai 2005 wieder im Rabenhof gezeigt. Deswegen entschließt sich monochrom
Astrit Ismaili
limited' which is a recurring subject in their work. Through drawing, music composition and wearable musical instruments Astrit will explore different ways of archiving and preserving the multi-layered nature
Zhanna Kadyrova - MuseumsQuartier Wien
Kyiv (Ukraine) (REP)" Eurorenovation in Europe" Kunstraum, Munich (Germany) "From City to City" Musical Theatre, Kyiv (Ukraine) “ЯКЩО / ЕСЛИ / IF” Museum of Contemporary Art PERMM, Perm (Russia) "Tape
Sofia Andrukhovych
great influence on the people. Their power to heal and to support was connected to their poetic and musical art. So in my work, I am exploring the possibilities of narration and its power to influence people
Bazinato - MuseumsQuartier Wien
Belarus). 2018 "Vcehovannie" group exhibition, cultural hub Ok16 (Minsk, Belarus). 2018 "Ю-festival" musical art festival of self-expression, cultural hub Ok16 (Minsk, Belarus). 2018 "Sprava" international
Matthieu Saladin - MuseumsQuartier Wien
s partake, each in their own way, in the history of Western rationality: the economic table and musical notation. During this residency, I will be working on the recording of the silent part of the score
Enrique Mendoza - MuseumsQuartier Wien
in 1938. Then, with these sound files I will build a library to process it digitally and create musical material. An important aspect of the composition will be the spatialization of sound for the 8 channels
Paul Brody - MuseumsQuartier Wien
Brody experiments with compositional techniques to direct the listener’s ear to the independent musical qualities of the voice. Words become secondary. Listening Differently Much of Brody’s work is based [...] Operas in Ordinary Language begins with a short overture--a mini homage to one of Brody’s primary musical influences, Anton Webern. Then the interviewees share anecdotes illustrating an awareness of their [...] account of his struggles with dyslexia and finding his voice in the trumpet. Tradition Finding musical inspiration from voice-melodies goes back to early opera. The baroque opera was not aria oriented