Interview with Anika Hirt & Dan Wilcox - MuseumsQuartier Wien
really interested in working for a big business, even when I studied Media and Computing and commercial jobs started coming along. So I studied Interface Cultures afterwards, which basically took a more creative
Rio Rutzinger im Gespräch - MuseumsQuartier Wien
künstlerischer Leiter der „Workshops und Research Projekte“ zum Gespräch getroffen. Herr Rutzinger, ihr Job ist es Menschen für zeitgenössischen Tanz zu begeistern. Meine Großmutter hat immer gesagt: Die Jugend
Vision trumps everything - MuseumsQuartier Wien
people not to take you seriously. I struggle with that a lot. Often it is just jobs, the story we all know: Men going for jobs they are only 50% qualified for and women who are going less while 150% qualified [...] like that I’m pretty confident how quick I can pick things up, I just dread that first day at the job where everything is new, everything has to be introduced to me, how useless I’m gonna feel and how [...] have a traditional training in music and did you have to forget certain things you learned to do your job well? I wasn’t classical trained, but I was in traditional education. A lot of the theory has become
Artist-in-Residence Emiliano Maggi in conversation with Margit Mössmer
like GANGS OF NEW YORK or THE PASSION OF CHRIST. I hated it. These are huge film productions. The job must have been well paid at least? Yeah, but you work a lot! You work very, very hard. I never wanted