Interview with Curator-in-Residence Serge Klymko
soldiers either looking for personal profit or acting on orders from up high in the chain of command. The job of documenting these atrocities committed against culture and art, of supporting museum workers and
Artist-in-Residence Aleksandra Kononchenko
performance. 2. I’m moving from one place to another all the time, sometimes with different kinds of jobs. I would like to come back to simplicity and slowness (because I have a feeling that I’m starting
The Animistic Animation Art of Osbert Parker
a family? A house? And something went wrong and all of us are in a similar situation, we lose our job, fall behind on our mortgage payments, anyone could be homeless very very quickly. So I’m interested
Q21 Artist-in-Residence György Dragomán
completed. There are a few very personal experiences which need to be tackled. My first paying half-legal job was being an interpreter in 1990, working for the border police and customs agents at the Hungaria
Interview with Q21 Artist-in-Residence Héloïse Ferlay
know it’s good. But it is also challenging because if you love this work you also want to do a good job, taking it in a direction the original creator would have loved. So you have more responsibilities…
Vienna Art Week 2021: Q21 Artist-in-Residence Ana Kun
through digitalisation? Ana Kun: I worked as a graphic designer for many years, so by the time I quit my job to become a full-time visual artist I was fed up with the digital medium. I went back to the basics
Viktor Martinowitsch - MuseumsQuartier Wien
Chagall, Kazimir Malevich) in news-papers media discourses of 1920s. Teaching and research Current job position - associate professor of European Humanities University Vilnius. Courses taught: Creative
Łukasz Surowiec - MuseumsQuartier Wien
modernity guarantees us a completely different perspective - robotics and information are to ensure that job is not the most important driving force to survive. So why are we still working hard? My idea is to
Ewa Kubiak - MuseumsQuartier Wien
Maczużnik, Galeria Szara Kamienica, Kraków 2015 – Anthropology of Geometry – CSW Znaki Czasu, Torun 2014 – Job in Progress, UP Gallery, Berlin 2014 - Minimalism as a Crime Scene – CK Zamek, Poznan 2014 – LoveA
Adrijana Gvozdenović - MuseumsQuartier Wien
others? The institution, curators, critics, academics, collectors, dealers, the public. People with jobs in art? Also, I have to say, she had moments of doubting to take part, reading this message as one [...] control? Or a key for success? Or just a consequence of precarious existence, lacking in predictability, job security, material or psychological welfare. Did artists first branded themselves then became precariat