Ayesha Hameed: Black Atlantis. Retrograde Futurism

Lecture Performance: Black Atlantis. Retrograde Futurism

Sat 11.01., 17h, TQW Studios, in English 

On 29 April 2006, a twenty-foot boat was spotted off the south-eastern coast of Barbados. On board, eleven bodies were found by the coastguards, preserved and desiccated by the sun and salt water. The ghost ship was adrift for four months on the Atlantic Ocean. It set sail on Christmas day in Praia in the Cape Verde Islands, full of migrants from Senegal, Guinea-Bissau, and Gambia en route to the Canary Islands. Each of these men paid £890 for their place on the boat.

This is an inadequate telling of this story that draws on the materials and tools at hand to make sense of the complicity of weather, ocean currents and state violence in the journey of this ship. Hovering between the film and the essay form is a questioning of the adequacy of the measuring of histories and affects connected to crossing, languages to make evident the materiality of the sea, and the both measurable and immeasurable horror contained in the figure of the ghost ship.