Via Lewandowsky

Via Lewandowsky (*1963 in Dresden) is a contemporary artist based in Berlin.
He studied at the Dresden University of Fine Arts from 1982 to 1987. Between 1985 and 1989 he organized subversive performances with the avant-garde group …Auto-Perforations-Artisten”, which subverted the official art scene of the GDR.
His multimedia practice focuses on sculptural-installational works and exhibition scenographies with architectural influences. His leitmotifs are always the misunderstanding as a result of failure of communication, as well as the processual.
An ironic refraction of the everyday, the intrusion of the foreign into the familiar, mostlydomestic, realm, often happens by using insignia of the German bourgeoisie  (e.g. a cuckoo clock, or a budgie). His predilection for the tragic-comical, the absurd and paradoxical, as well as the Sisyphean motif of the constant repetition and futility of action connect his art with Dadaism, Surrealism and Fluxus.
Via Lewandowsky’s works have been shown worldwide in solo and group exhibitions, most recently at Hamburger Bahnhof, Berlin (2022), Städtische Galerie Wolfsburg (2021), Daegue Art Museum in South Korea (2021), the Jewish Museum, Berlin (2020), Künstlerhaus Bethanien, Berlin (2019), Bongsan Cultural Center in South Korea (2019), Shedhalle, Zurich (2018), Albertinum Dresden (2017), Museum of Fine Arts Leipzig (2016), Kunsthalle zu Kiel (2015) or Bundeskunsthalle Bonn (2014).
His work is part of international public collections, including Hamburger Bahnhof, Berlin, Berlinische Galerie, Berlin, Bundeskunsthalle, Bonn, Kupferstichkabinett Dresden, Deutsche Bank, Frankfurt, SMAK, Gent, Museum der Bildenden Künste Leipzig, Moderna Galerija, Ljubljana, Moderna Museet, Malmö, Neues Museum Nürnberg, Nürnberg, Mildred Lane Kemper Art Museum, St. Louis, Kunstsammlungen zu Weimar and Städtische Galerie, Wolfsburg.

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