VIENNA ART WEEK 2018: Studio Visit - MuseumsQuartier Wien
in Graz from 1970, and before that he taught at the Berlin University of Architecture. His most famous work was the Stadium of World Youth in Berlin. His biography, like the biography of Milka Zicina,
Arturas Bumšteinas in E-Mail conversation with Georg Weckwerth - MuseumsQuartier Wien
additional sound material for the upcoming work, which we will present together for the first time in Berlin in the beautiful chapel space at Künstlerhaus Bethanien at the “Echos+Netze” festival this November [...] premiere of “The Rise and Fall of Jakob Bauer” in its 8-channel version at the “Echos+Netze” festival in Berlin last November, I can tell you it really was a great success. The former chapel space at Kunstquartier
MQ: 100 Years of the Republic – A Film Exhibition with a Focus on Democracy at the frei_raum Q21 exhibition space - MuseumsQuartier Wien
towards strident media images, and “Symbolic Threats” by Mischa Leinkauf and Matthias Wermke. The Berlin-based artist duo found themselves facing an accusation of terrorism in the USA after flying a white
MQ Furniture - MuseumsQuartier Wien
ich Warschau, Polen Bad Ischl, Oberösterreich Deutsch-Wagram, Niederösterreich © PPAG architects Berlin, Deutschland Zeche Zollverein, Deutschland Enzi to go Enzi USB stick, available in different colors
Guy Wouete
you have the Eiffel Tower (1889) which is really something unique (constructed five years after the Berlin Conference, 1884) that was conceived as the entrance arch to the 1889 World's Fair where black people
"I am very impatient. That's why I make these patient films." - MuseumsQuartier Wien
series of images Length 60.00 min Sound recording by James Benning Thanks to neugerriemschneider, Berlin, Naturhistorisches Museum Wien, Vienna Art Week, Videonale Bonn *44th TONSPUR-Artist-in-Residence
"A frame is never just a frame." - MuseumsQuartier Wien
is constantly read and re-edited by others. Marco Pezzotta, born 1985 in Italy, lives and works in Berlin and Bergamo. He is contributor to the exhibition “Faceless part II” curated by Bogomir Doringer in