This includes electric car racing tracks, miniature figures and light installations. But this is also where those ideas emerge that are carried outwards, change the public space and allow new experiences between objects, people and space.

Interview with Martin Markeli

Who are you?

I see myself as an artist and a collector of miniatures which I integrate into a complete artwork. I use a playful approach for my works. Not unlike Jonathan Meese, I also see art as a form of playing – ‘art is your inner child!’

Since when has THE STASH beyond collectables been a part of Q21/MQ?

Since 2002, my place of work alternates between Vienna and Miami. At THE STASH, I process my impressions and ideas from both worlds, it is the place for my creative output.

What does a light and installation artist do?

Light is an essential part of my works, I like to play with its effects on spaces, shapes and people. It changes the way my installations are perceived. Complete artworks, such as my race tracks, emerge.

What is the meaning behind the name THE STASH beyond collectables?

It’s the stash off the beaten track of MQ’s main institutions. It is kind of a microcosmos which allows me to act independently and to express myself artistically. From here, I approach public space and change it through my installations.

Do race car tracks have cultural value?

Yes, definitely. Society is completely fixated on car traffic. My race track objects try to reflect the pace, the competition, and the car fetish itself, to make it experienceable to the senses.

Where can we experience your work?

You can visit me at THE STASH on ‘open studio days’. During summer at ‘Aquadome’, during winter at ‘Winter Race’ – both at the MQ main courtyard. Other than that, at various local and international art fairs, galleries and similar exhibition spaces.