Pedro Marum
area: Visual Art, Performance, Club Culture
Key Facts
nationality
Portugalarea
Visual Art, Performance, Club Cultureresidence
Berlinrecommending institution
frei_raum Q21 exhibition spacetime period
July 2019 - July 2019Artist, curator, writer and DJ
Initiator, booker and resident of mina and suspension, Initiator and curator of the community platform XenoEntities Network
Co-founder of the collective and artistic platform Rabbit Hole
marum, DJ and host of VANTABLACK at Rádio Quântica
mina and suspension (March 2017 - ongoing)
Initiator, resident DJ and booker/curator
XenoEntities Network (July 2016 - ongoing)
Initiator, artist and curator
SPEKTRUM Berlin - Art, Technology and Community (July 2016 – December 2018)
Guest curator and technical support
Berlinale – International Film Festival of Berlin (February 2019)
Film moderator
International Rotterdam Film Festival (January 2016 - ongoing)
Curatorial collaborator and film presenter
Furtherfield (September 2015 - 2017)
Collaborator and editor
Queer Lisboa
Film Programmer & Curator (September 2012 – September 2015)
Press Coordinator (March 2010 – May 2013)
Producer (September 2013 – September 2015)
Volunteer Coordinator (September 2011 – September 2012)
Indiewire (November 2011 – December 2012)
Collaborator and editor (European correspondent)
Rabbit Hole (February 2011 - ongoing)
Founder, curator and member of the artist collective
Dance Ordinance
Who is the master who makes the bass beat?
Liberation and dissolution of the limits - these are often used as descriptive traits of the ‘rave', a site for emancipation enhanced by a series of well-known and coordinated technologies of ecstasy.
Although, the suspension of disbelief is a luxury for just a few. From the security teams to the gendered toilets, curfew hours and sound limiters, many are the apparatuses designed to shape, control, ban or shut down. There can be no unbridled ambition of utopia but rather a constant negotiation with the rules and social order. We can abide, bypass and subvert, resist or become invisible, but the dance cannot be stopped.
Dance Ordinance will look into the regulations and interferences that operate on clubbing politics in different historical and geopolitical contexts while giving particular insight to narratives of resistance by communities of ravers, artists and party-collectives. With the duration of one or two days, it is presented as a platform that merges performance, installation, sound, talks and curation, including the participation of various agents from the scene.
Guests will include Mariana Vieira, Julius Pristauz, among others. I lived in Vienna and I’ll reach out some musicians, DJs, curators, promoters, dancers, performers, and will try to articulate them in the project.