Following Mariella Greil’s Morning Practice and in anticipation of the workshop "Verwerfungen & Faltungen: eine choreo-ethische Assemblage", TQW hosts the book presentation "Bare Bodies – Thresholding Life" (Angewandte, DeGruyter, Berlin 2024). This anthology is dedicated to bodies in transition, on thresholds, and at the edges of life, discussed in terms of their artistic, political and existential dimensions.

In a setting inspired by the conviviality of Passover, Tress_passing explores performance and artistic research as practices through which critical, intersectional, pluralist perspectives on and experiences of Jewishness can be elaborated.

Musical star Gernot Kranner takes the children on an exciting adventure trip to the land of fantasy. Children aged 3 and over learn interactively that you can achieve something if you believe in yourself.

In "Cloth Ball Square", Oleg Soulimenko delves deeper into his fascination with materiality and form, exploring possible encounters between bodies and objects and the affective potential of abstraction. Inspired by Wassily Kandinsky’s thinking about geometrical lines and figures as vehicles that transport specific affects, Soulimenko makes cloth, ball, and square the protagonists of his performance.

Actually, Mila only wanted to get a new string for her kite. But in the attic she comes across a very strange door. Not only can it talk, but it also has a special secret...

Border regimes and processes of marginalisation counteract forms of convivial coexistence in different ways in neoliberal nation states, at present as well as in the past. What can be done about this? Which strategies can be used to boost conviviality in this context? And what does it take to make living convivially possible within different societies in the first place?